POPO 2021 REGISTRATION CLOSES:

LONGTIME POPO POet Cat Ruiz Kigerl discusses her participation in the annual POPO: August POetry POstcard Fest. Cat Ruiz Kigerl was born in Seattle. She is the author of three poetry books: Beach Notes, TwoNewfs Publishing, 2020, At the Town Café, Goldfish Press, 2016 and......

CJ Prince discusses her experience with POPO, the August POetry POstcard Fest in an interview recorded December 8, 2020. C.J. Prince arrived in the Northwest, escorted by two dragons and one hundred and eight boxes of poems and a few lagging computers. You will find......

We caught up with Wilderness Sarchild to discuss her POPO experience on December 7, 2020. Wilderness Sarchild is the author of a full length poetry collection, Old Women Talking, published by Passager Books, and the co-author of Wrinkles, the Musical, a play about women and......

Alicia Gignoux has enjoyed being part of the POPO poetry exchange. She taught Spanish at the university level in Montana for many years and spent time serving in Mexico with the Peace Corps....

Andrew Bell is a POPO poet living in Christchurch, New Zealand. He talked about his experience with the postcard fest and also USAmerican politics in the last weeks of you know who. Andrew M. Bell writes poetry, short fiction, plays, screenplays and non-fiction. His work......

From Philip Riley, POPO poet: Here’s a recent photo of me in front of a tiny 13th century Cypriot church. It was above a stream where I went to collect reeds to repair a Greek chair. Beautiful icons line the walls of this simple building.......

Diane Elayne Dees discusses her involvement in POPO, the August POetry POstcard Fest after her first year of participation. Diane Elayne Dees’s poetry, short fiction and creative nonfiction have been published in many journals and anthologies, and her poetry has been read on radio programs,......

First time POPO participant Lawrence Pevec made a video about his encaustic postcard process. Lawrence is a friend and member of my spiritual community, Subud. He is also a Board Member of the cultural wing of Subud, SICA-USA, an entity which I now Chair and......

Now that our post-POPO workshop is over and has received some rave reviews (see THIS and also THIS) we’re ready now for another round of interviews with POPO participants for posting on Youtube and on this site. If you were not interviewed about your POPO......

POPO poet Margaret Mayer suggested linking my “Poet’s Obituary” for Diane di Prima here on the POPO site and I figured it was a good idea because Diane was a postcard poet in the first year of the fest, 2007! (I’m searching my files like......

Longtime POPO participant Mary Beth Frezon checks in with thoughts about her POPO2020 process: Excerpt: I’d been home since March 4, the first couple weeks of that with some illness. In April there wasn’t much to do except online work “stuff” and sitting outside to......

A sweet take on her own POPO2020 participation comes to us from the blog of Melanie Weldon-Soiset: One excerpt: Sending postcards served as a practice of remembrance. The Poetry Postcard Fest gave me a reason to engage postcards that had languished in a box, forgotten,......

POPO poet interviews

This is the official page for the August POetry POstcard Fest — POPO. The Fest was initiated in 2007 by poets Paul Nelson and Lana Ayers and involves people signing up to send 31 original poems on postcards to folks on their list before the end of August. It is the biggest annual fundraiser for SPLAB. In 2020 there were 544 participants in over 11 countries. This is the official call for 2020. Registration opens Sept 1 for POPO2021.

See this essay in Rattle Magazine about the fest:

Photograph by Chad Peltola (CC0)

Once you are registered (click here to register) here are the INSTRUCTIONS:

1. Obtain or make at least 31 postcards, one for each poet on your list. Some people make their cards. Many places can turn your pictures into cards, as can any decent print shop. DO print on decent card stock.

2. After you register, and once your group has filled, you will get a list via email and pdf. Find your name on that list and please make sure your info is correct. (You will not get your group list at registration, but when there are 32 in your group or when registration ends.)

peN Collage Postcard July 1 43. Once you get your list, start writing original poems directly (1st take) onto postcards addressed to the names below you on the list of poets. (If you are #8 on the list, start with #9 and proceed from there.) Just like you’d write a typical postcard, only this one is a poem and linked to the epistle form, as you are writing TO someone. The idea is to practice spontaneity, that is write directly on the card in one take. If it’s hard at the start of the fest to do that, relax, because it gets better as the month goes on, no one can publish your poem without your permission and you are writing to a PERSON. Review the links below for guidance ESPECIALLY the sending postcards to strangers blog post by David Sherman, the Ina Roy-Faderman testimonial and Linda Crosfield’s 7.14.16 blog post. Remember Allen Ginsberg’s paraphrase of the Blake quite: “Abstractions and Generalizations are the plea of the hypocrite, knave and scoundrel.” Or as Ezra Pound said: “Abstractions must be earned.” Really.

4. Once you have written cards to all poets below your name on your list, continue to the top of your group of 32. Ideally you’ll be incorporating themes, tones or motifs from cards you have received. If you do not get cards from participants right away, or are not inspired by them, no problem, but do write at least 31 postcard poems if you sign up. This is on YOU dear POPO poet.

Postcard by Germán Montalvo

Postcard by Germán Montalvo

5. DON’T POST YOUR OWN POEMS ONLINE UNTIL A MONTH AFTER YOU SEND THEM. Also, do not publish anyone else’s poem without their written permission. Having a scanner helps to archive the image perfectly and scanners are now $100. Or you could take a photo of the image (or scan it) with your cellphone. Do realize if you are sending a card abroad, it may take longer than a month. Do not disclose any participant’s address online.

6. There is a Facebook page for the POetry POstcard fest but best to let the cards speak for themselves during the fest. You might want to write after the fest about your experience. NEVER spam the list about any product or service, including your books.

7. The fest is open to people who contribute at least $15.00 U.S. to SPLAB. (That includes the service charge.) I want to be a resource for you especially if you are trying to make the shift from relentless editing to learning how to develop trust for your instincts. This is the force behind the fest and, I think, the reason that it has grown in popularity over the years. There are costs to maintaining the email list (Mailchimp, Submittable, &c) and website. This is a fundraiser for SPLAB and provides enough for us to pay basic bills. Contributions are welcome.

8. Ina Roy and J.I. Kleinberg and I have created a postcard anthology. See: https://www.56daysofaugust.com/

To ensure you’ll get the call, subscribe to this blog. (The box in the upper right corner above? It says SUBSCRIBE TO OUR NEWSLETTER. See below)
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We send out an average of two emails a week from this blog and www.splab.org, the literary arts-oriented non-profit org founded in 1993.

9. Other pages nearby worth a look regarding postcards and spontaneous composition are on the drop down nav button below the August POetry POstcard Fest link above and here:
2019 Wrapups

Amy Miller’s 2016 Fest Wrap-up.

Or Amy’s 2018 wrap-up.

Judy Kleinberg’s 2014 fest summary with links to other participant blogs.

Her 2015 fest wrap-up.

Angélique Jamail’s 2018 afterword.

https://paulenelson.com/2013/06/24/the-tao-of-postcards/ and

https://paulenelson.com/workshops/poetry-postcard-exercise/ and

https://changeorder.typepad.com/weblog/2010/08/sending-postcards-to-strangers.html

and

https://boyntonpoetrycontest.wordpress.com/2014/07/01/why-postcards-why-poetry/